Then a new subdirectory is added, in which files have Apache license statements, but with copyright notices that identify a different copyright owner. Later, a file is added with a different copyright notice and a copy of a BSD 2-clause license. Software with a complex history may also have complex license information.Ĭonsider the following example: Someone writes a new program, including in each source file a copyright notice with a statement that the software is licensed under the Apache License, version 2.0, and including in the root of the source tree a copy of the text of the Apache License. Open source licenses provide the permissions to facilitate that development dynamic. Unlike mechanical devices, on which collaboration by a diverse group is more challenging, it is practical for complex software to benefit from the work of many. Open source software can be extended, repurposed, and combined with other software. But the power of open source is that it facilitates other developers building upon that starting point, and that process can complicate license information. What are the license terms? For much open source software, there is a simple answer: A single license text contains all the license information for the entire body of software. Let us pause and reflect for a moment how useful this common practice has been. The value of embedding the license information in the source tree is underappreciated. As open source licenses facilitate movement of software, license information that travels with the code simplifies administration by making the statements of the permissions readily available to those who have the code, even if they receive the code indirectly. While providing license information directly in the source code is not a requirement for open source software, the practical benefits of doing so became apparent early. Different views, or reports, of that license information can be generated to address differing needs. You can find the license information for open source software by looking at the source code.
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The discussion focuses on the intersectional identity of the protagonist as child, animal and disabled person, taking into account contextualising aspects from the cultural and social history of popular entertainment. This chapter analyses Disney’s two Dumbo films, the 1941 animated film directed by Ben Sharpsteen and the 2019 live-action remake directed by Tim Burton. A quantitative appendix supplying data on how often each animal species appears and the amount of times animal harm or objectification is depicted in over fifty films provides an invaluable resource and addition to scholars working in both Disney and animal studies. Stanton lucidly presents the dichotomy between depictions of higher order, anthropomorphised and neotonised animal characters and that of lower-order species, showing furthermore how these depictions are closely linked to changing social attitudes about acceptable forms of animal harm.Īn engaging and novel contribution to the field of Critical Animal Studies, this book explores the use of animals not only in Disney’s best known animated films such as 101 Dalmatians, but also lesser known features including Home on the Range and Fun and Fancy Free. Each chapter addresses a different form of animal harm and objectification through the theories of speciesism, romanticism, and the ‘collapse of compassion’ effect, from farming, hunting and fishing, to clothing, work, and entertainment. This book critically examines how Walt Disney Animation Studios has depicted – and sometimes failed to depict – different forms of harming and objectifying non-human animals in their films. 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You will receive One Perfume oil in a glass roller-ball Bottle This scent of one of our new Fall / Halloween scents for 2021 Internal applications, then our B2B based Bizapedia Pro API™ might be the answer for you.You will receive One Cologne in the Scent BONEYARDīoneyard is a hauntingly beautiful blend of Bergamot, Valencia Orange, Mint Leaves, Geranium, Clove, Star Jasmine, Tonka Amber, Black Sandalwood, Musk, and Oud wood oil If you are looking for something more than a web based search utility and need to automate company and officer searches from within your A souk is an Arabian market or bazaar and although this one is geared towards tourists, it manages to conjure an impressive ambience and a tasteful. WHAT'S INCLUDED IN THE ADVANCED SEARCH FORM? Utilize our advanced search form to filter the search results by Company Name, City, State, Postal Code, Filing Jurisdiction, Entity Type, Registered Agent,įile Number, Filing Status, and Business Category. While logged in and authenticated, you will not be asked to solve any complicated Recaptcha V2 challenges. In addition, all pages on Bizapedia will be served to you completely ad freeĪnd you will be granted access to view every profile in its entirety, even if the company chooses to hide the private information on their profile from the general public. Your entire office will be able to use your search subscription. Techniques to ensure this include randomization, blinding, highly structured protocols, and written or orally administered questionnaires with a limited range of predetermined responses. The goal is to measure and analyze causal relationships between variables within a value-free framework ( Denzin and Lincoln, 1994). Therefore, the investigator is capable of studying a phenomenon without influencing it or being influenced by it “inquiry takes place as through a one way mirror” ( Guba and Lincoln, 1994: 110). The ontological position of the quantitative paradigm is that there is only one truth, an objective reality that exists independent of human perception.Įpistemologically, the investigator and investigated are independent entities. Science is characterized by empirical research all phenomena can be reduced to empirical indicators which represent the truth. The quantitative paradigm is based on positivism. Rather, based on the paradigmatic differences concerning the phenomenon under study, we propose a “new” solution for using mixed-methods in research that we believe is both methodologically and philosophically sound. The information presented in this paper is not new in the sense that we are making a “new” case for or against the debate. Evidence of this is reflected by the notion that quantitative methods cannot access some of the phenomena that health researchers are interested in, such as lived experiences as a patient, social interactions, and the patients’ perspective of doctor-patient interactions. In fact, based on their paradigmatic assumptions, the two methods do not study the same phenomena. Despite the arguments presented for integrating methods, we will demonstrate that each of these methods is based on a particular paradigm, a patterned set of assumptions concerning reality (ontology), knowledge of that reality (epistemology), and the particular ways of knowing that reality (methodology) ( Guba, 1990). In short, the philosophical distinctions between them have become so blurred that researchers are left with the impression that the differences between the two are merely technical ( Smith and Heshius, 1986).Ĭombining qualitative and quantitative methods in a single study is widely practiced and accepted in many areas of health care research. We believe that mixed-methods research is now being adopted uncritically by a new generation of researchers who have overlooked the underlying assumptions behind the qualitative-quantitative debate. However, just because they are often combined does not mean that it is always appropriate to do so. According to Carey (1993), quantitative and qualitative techniques are merely tools integrating them allows us to answer questions of substantial importance. Some people would say that we are beyond the debate and can now freely use mixed- method designs to carry out relevant and valuable research. In addition, we present what we believe to be a fundamental point in this debate. In this paper, we revisit the quantitative-qualitative debate which flourished in the 1970s and 1980s and review the arguments for and against using mixed-methods. As many critics have noted, this is not without its problems. _ The race was over in 10 minutes.Health care research includes many studies that combine quantitative and qualitative methods, as seen in numerous articles and books published in the last decade ( Caracelli and Greene, 1993 Caracelli and Riggin, 1994 Casebeer and Verhoef, 1997 Datta, 1997 Droitcour, 1997 Greene and Caracelli, 1997 House, 1994 Morgan, 1998 Morse, 1991 Tashakkori and Teddlie, 1998). Determine which of the following statements are quantitative and which are qualitative 1. The following observations are quantitative: There are 30 students in my class. Another type of observation is quantitative, meaning that it can be described or measured in concrete numerical terms. Name: _Per: _ Date: _ Qualitative vs Quantitative, Observation vs Inference QUALITATIVE VS QUANTITATIVE All of the observations in this worksheet were qualitative that is, you observed a quality about an object (it smelled good, it was green, etc.). My absolute favorite albums are Rubber Soul and Revolver. Before the Beatles, you had guys in lab coats doing recording experiments, but you didn’t have rockers deliberately putting things out of balance, like a quiet vocal in front of a loud track on “Strawberry Fields Forever.” You can’t exaggerate the license that this gave to everyone from Motown to Jimi Hendrix. Engineers like Geoff Emerick invented techniques that we now take for granted, in response to the group’s imagination. They were the first group to mess with the aural perspective of their recordings and have it be more than just a gimmick. Then they started to really grow up: simple love lyrics to adult stories like “Norwegian Wood,” which spoke of the sour side of love, and on to bigger ideas than you would expect to find in catchy pop lyrics. These records were events, and not just advance notice of an album. They made such fantastic records as “Paperback Writer” b/w “Rain” or “Penny Lane” b/w “Strawberry Fields Forever” and only put them out as singles. Imagine releasing a song like “Ask Me Why” or “Things We Said Today” as a B side. Lennon, McCartney and Harrison had stunningly high standards as writers. Most of all, John and Paul were fantastic singers. Ringo Starr played the drums with an incredibly unique feel that nobody can really copy, although many fine drummers have tried and failed. Most important, they always fit right into the arrangement. They made writing your own material expected, rather than exceptional.Īnd John Lennon and Paul McCartney were exceptional songwriters McCartney was, and is, a truly virtuoso musician George Harrison wasn’t the kind of guitar player who tore off wild, unpredictable solos, but you can sing the melodies of nearly all of his breaks. They had already absorbed Buddy Holly, the Everly Brothers and Chuck Berry, but they were also writing their own songs. Compared to rabid R&B evangelists like the Rolling Stones, the Beatles arrived sounding like nothing else. It wasn’t the first time anything like this had happened, but the Beatles achieved a level of fame and recognition known previously only to Charlie Chaplin, Brigitte Bardot and Elvis Presley, along with a little of the airless exclusivity of astronauts, former presidents and other heavyweight champions.Įvery record was a shock. My experience - seizing on every picture, saving money for singles and EPs, catching them on a local news show - was repeated over and over again around the world. I was exactly the right age to be hit by them full-on. The Beatles even recorded for Parlophone, which was a comedy label, as if they believed they might be a passing novelty act. Prior to that, the people in show business from the north of England had all been comedians. The funny thing is that parents and all their friends from Liverpool were also curious and proud about this local group. I didn’t care about that they were the band for me. The photo was badly lit, and they didn’t quite have their look down Ringo had his hair slightly swept back, as if he wasn’t quite sold on the Beatles haircut yet. This was 1962 or ’63, before they came to America. I spent most of my holidays on Merseyside then, and a local girl gave me a bad publicity shot of them with their names scrawled on the back. 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These can be very helpful in driving traffic to your content and increasing engagement-particularly if you use branded hashtags to create fun challenges. Many businesses use branded hashtags to promote their business. Hashtags can also be useful for increasing brand awareness and brand affinity. When you increase your reach, engagement is likely to follow. Adding hashtags on your posts lets you join in the conversation that’s going on for a certain topic and the people searching for or following the hashtags you use will have the chance to see your content. Hashtags are the easiest way to get your content in front of the people looking for it. Here are some of the key benefits you’ll get from using hashtags in your social media marketing efforts. Hashtags are a great way to expand your reach and increase engagement on social media platforms like TikTok, Instagram, Twitter, and Facebook. 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